What to Expect from IMPACT 2025: Elite Training for Young Artists

This July, ICA will welcome students from across the region for IMPACT 2025, a pair of intensive summer programs in musical theater and dance designed for passionate young performers ages 12–18.

Students will train with Broadway and industry professionals in small group settings that emphasize individual growth, industry readiness, and community. Programs include:

IMPACT: Musical Theater

  • Voice, acting, and audition coaching with faculty from Wicked, Newsies, and SIX

  • Personalized feedback sessions and professional headshots

  • Agent/parent Q&A and mock auditions with real casting professionals

IMPACT: Dance (NEW for 2025)

  • Training in ballet, jazz, modern, hip-hop, and musical theatre dance

  • Mock auditions with cruise line casting directors and dance company reps

  • Faculty from companies like Hubbard Street Dance, The Joffrey Ballet, and Deeply Rooted Dance Theater

“It’s not just about talent—it’s about growth, professionalism, and confidence. This program launched me.”
– Isabella, past IMPACT student

Dates: July 28 – August 1, 2025
Spots are filling fast.
Register for IMPACT

Triple Threat: One Man’s Artistic Journey Through Creative Responsibility

By Maya Meschi

James T. Lane is a dancer, singer, and actor currently starring in the off-Broadway play Triple Threat.  The one-person performance takes the audience through James T Lane’s life. Lane has experienced all aspects of the performing arts, from performing in Tony-nominated shows to reaching an all-time low after an injury led to addiction. Lane’s life experiences brought him to the point he describes as creative responsibility. In other words, he encourages the importance of finding multiple ways to pursue bigger creative endeavors. He is an actual ‘Triple Threat.’

From an early age, Lane was passionate about theater. “Dance was my first language as a child. Through dance, I could express myself. I found my emotions were easy to translate through dance.” With the love of dance, Lane attended Girard Academic Music Program. One year, the school had to cancel its musical. Lane made lemons into lemonade by creating his first musical, A Killer Review. Lane hung flyers around the school to motivate students to participate in his production and taught his performers different acting methods/techniques. With drive and determination, Lane was accepted into the prestigious colleges of Carnegie Mellon and Penn. State. After years of performing in primary school, Lane found it difficult not being allowed to perform during his first year of college. Lane left college to tour in Fame, allowing him to travel around Europe. Lane’s eyes were opened as he explored new and exciting cultures. “It was terrific seeing buildings older than my country. You do not have that record or realization until you have gone.” Sadly, the experience was short-lived.  Lane injured his Achilles tendon, creating a downward spiral into addiction.

Being separated from the dance was incredibly hard for Lane. Lane said, “The arts have always been a mirror into my soul.” With the help of rehab and family, he eventually found his footing and embarked on a wondrous journey. Lane made his Broadway debut in the revival of A Chorus Line.  Continuing his Broadway success, Lane performed in The Scottsboro Boys. Under the guidance of Susan Stroman, he discovered the art of authentic storytelling, particularly bringing African American stories to life in the fight for freedom. While in London for The Scottsboro Boys, Lane met with artistic director David Lan. “He said to me, ‘What do you want to do? I am interested in you.’ And I was like, whoa! Nobody asked me that before. I had spent so much time in other people’s dreams and visions that it was thrilling and shocking. He later asked me, ‘Do you write,’ I was like, no, so he said, ‘If you were to write something, what would you write?’ Then I started writing and felt like that kid who performed mini-musicals on the playground.”

As his career advanced, Lane starred in another Kander and Ebb musical, Chicago. Lane has revisited Chicago multiple times in his career.  Pushing himself as a dancer, he joined King Kong, the Musical. Lane discovered the power of creative responsibility. He wanted to be more than a performer in a production. “It was the final time that I said, I am going to give 110% of me…So I decided in King Kong to have creative responsibility. It is like I need a bigger slice of the pie to feel good.”

Lane recalled his conversation with David Lan and realized each opportunity was a stepping stone to Triple Threat. Triple Threat was born through his artistic journey: taking risks, encountering pitfalls, and growing as an artist. Triple Threat brings awareness to the struggles people face with substance abuse. According to Lane, “Triple Threat took me on a path, for better or for worse, and I found out more of the spirit of who James was, and I fought some tough battles and came through on the other side. It is like an unshakable kind of self-esteem. I know now that I would not change what happened.”

Back to the Future

Back to the Future How a Letter to her Teenage Self helped one Dancer focus on her Dreams

Alvin Ailey dancer Fana Tesfagiorgis is using her past experiences to not only keep her on track, but to inform new students following in her footsteps.

After being approached by DanceSpirit magazine to write a letter to her former self, she has some words of wisdom to share.

“As artists we are so eager for the next thing, we always steer our dreams to the future, but sometimes its good to look back,” said the Interlochen alum.

Her letter states, in part: “I can’t thank you enough for the light that you are. You don’t know it yet, but everything that you do helps to shape the woman that I am today. Thank you for having and keeping the biggest dreams you could dream. Thank you for believing that you can do it.

The habits that you’re developing now may seem a little over-the-top to some, and sometimes even you think it’s all in vain, but keep trusting in your process. It’s OK that you have to try it one more time, or 10 more times, to get better. This diligence will help shape you. I love that when your casting doesn’t match your wishes, you feel what you feel for a day, and then come back and learn the entire ballet. That eagerness will increase your experience far beyond your given opportunities.”

Fana says it’s good to remember all the doubts and insecurities. When she teaches masterclasses today, that’s what she’s trying to help her students overcome. She recommends young students put together a time capsule when they’re first starting out.

“A time capsule’s a great idea,” she said. “Dancers might want to keep a pair of tights and their old point shoes. I have an acorn from my grandfather’s plot in Mississippi.”

Fana knew she wanted to be a dancer since she was a little girl. She comes from a family of artists, so her mom had no problem with sending her to Interlochen Arts Academy High School when the regular dance studio she attended in Wisconsin faced some challenges.

“The training was very intense,” she recalled. “As a dance major I spent 8 a.m. to 12 p.m. each day learning academics and 1 p.m. to 6 p.m. dancing.  There were also rehearsals for ballets I took part in. I especially loved the masterclasses from guest artists.”

It was one of those guests, Earl Mosely, who introduced her to the Lester Horton technique, a modern dance style based on Native American dances, anatomical studies, and other movement influences.

“It felt like ballet and more,” said Fana. “I thought ‘I have to do this.’ I always had ballet as my first language, but modern dance expanded my mind.”

This was the path that set Fana on the road to becoming an Alvin Ailey dancer.

“I was selected in my senior year to tour with them overseas; it was a beautiful experience,” she said.

Today Fana is a freelance artist, which means she has to work hard to market herself.

“I think how bad do I want this? There’s no curriculum, so I have a different kind of fire,” she said.

In 2019 Fana decided to expand her horizons and move into musical theater.

“I’m super grateful for all my experiences but after Ailey I didn’t feel as fulfilled so I started to train in acting and singing,” she said. “I like challenging myself to something new, so I took a leap of faith.”

Her first success was joining the national tour of My Fair Lady as an ensemble member.

“I loved watching the principals, they were such elegant actors and gave themselves full out,” she said. “As an actor you can use your ideas, which is not so in dance. I achieved my biggest dream when I danced with Alvin Ailey. Now I have new dreams.”

Academy of the Arts to launch first classes

A private school focused on the performing and visual arts will begin after-school classes this fall on the CityGate Centre campus at Interstate 88 and Route 59 in Naperville.

Dylan Ladd, one of the founders of the Academy of the Arts, said programs will roll out progressively, with a goal of being fully open by the 2025-26 academic year.

They plan to construct a new building on a site not yet chosen that will be a full-time school for sixth-grade though high school-age students offering core academic curriculum in math, reading, language arts, social studies and science in addition to a range of visual arts and performing arts classes.

When complete, they hope to have a school on par with the Chicago Academy for the Arts. The facility will have a 1,200-seat auditorium with a proscenium stage, fly loft and orchestra pit, an outdoor amphitheater, a modular black box theater, dance studios and academic classrooms.

No location for the estimated $80 million school has been chosen so, in the interim, the academy will lease space on the fifth floor of a building at 2135 CityGate Lane, Ladd said.

As a means of introducing itself to the community, the academy will host a series of pop-up events over the coming year to give area residents a taste of what the new school will have to offer, Ladd said.

Two inaugural master classes were taught this week by Chadae Nichol, a Broadway performer and academy arts educator.

Ladd said the academy is eager to launch programming and was fortunate to have Nichol provide this cornerstone event.

“Holding these classes during winter break fills a gap for students,” he said. “Even a lot of local performing arts schools suspend classes during this time so it allows students to keep up their skills, fill their time and be exposed to accomplished artists.”

Nichol, who grew up in the area and graduated from Joliet West High School, said she was excited to return as a teacher.

“I’ve been traveling and working professionally for the past several years,” said Nichol, who made her Broadway debut in “Motown the Musical.”

Her “Motown” stint enabled to her work with people in the music industry, including Motown founder Berry Gordy, whose autobiography formed the basis for the musical, and to meet musicians Stevie Wonder and Smokey Robinson, she said.

“But even outside of that, it’s continued to open up doors,” she said. “That was definitely one of the most impactful jobs because it’s still it’s kind of like the gift that keeps on giving.”

Nichols said the musical was like being a part of history repeating itself as a group of Black artists with the Broadway troupe traveled across the country and presented the music to the masses in the way similar to how the original Motown artists did more than 60 years ago.

“It was really an experience that I don’t even think that you can fully imagine or explain. It was kind of surreal at times,” she said.

Growing up in Joliet, Nichol said she didn’t see many people pursing the performing arts and she would have loved the opportunity to learn from professionals.

Her first introduction to the arts was a program held during a school holiday break.

“We had the opportunity to take a class with people who were dancing professionally at the time,” Nichol said. “For me, that experience was a defining moment. For the first time I saw, ‘Oh, I think that’s something that I want to do.’”

For that reason, she wants to share her experiences in the hope of inspiring a new generation.

Ladd said the academy has a lot of work to do before opening its state-of-the-art facility and welcoming its first class of full-time students. “Much of that work is fundraising, and we will be holding our first gala event in February,” he said.

The gala — “A Night of Broadway,” featuring stars from Broadway hits like “Hamilton,” “In the Heights,” “The Lion King,” “Wicked” and “The Book of Mormon” — is planned for Feb. 19 at North Central College’s Wentz Concert Hall in downtown Naperville.

Tickets are $100 and available online at illinoisartsacademy.org/gala.

The nonprofit’s first year fundraising goal is $2 million from which it anticipates building momentum toward the $80 million needed to break ground on the school.

“These classes, the gala and community support all are critical elements toward meeting our goal to fully open in fall 2025,” Ladd said.

“It sounds lofty, but we’ve done the research and have the data. This is the right location with the level of community engagement needed to bring this asset to the families of Naperville and surrounding suburbs,” he said.

Broadway Performer Will Instruct Masterclasses for Aspiring Dancers

Looking for the perfect gift for an aspiring dancer?

Academy of the Arts, a new nonprofit educational institution, is launching its programs on December 28, 2021, by presenting two master classes for ages 12 to adult. The classes will be led by accomplished performing artist Chadaé Nichol.

A performer, arts educator and Joliet native who made her Broadway debut in Motown the Musical, Nichol will lead a contemporary jazz master class at 4:30PM, Tues., Dec. 28;  followed by a musical theatre dance master class at 6:15PM also on Tuesday, Dec. 28.

Both classes will be held at 2135 CityGate Lane, next to Hotel Arista in the CityGate Centre campus, Route 59 and Ferry Road.

“We are so eager to launch our programming, and so fortunate to have Chadaé join us for this cornerstone event,” said Academy of the Arts Co-Founder Dylan Ladd. “Holding these classes during winter break fills a gap for students, and even a lot of local performing arts schools suspend classes during this time, so it allows students to keep up their skills, fill their time and be exposed to an accomplished artist.

“This kind or experience can be a great holiday gift for budding performers,” he added.

Participation is $100 per class and a select number of needs-based scholarships are available. Enroll at www.illinoisartsacademy.org/enroll.

Chadaé Nichol: Master Class Teacher / Artist Brief Bio

Chadaé Nichol made her Broadway debut in Motown the Musical. She was most recently seen at the Lyric Opera in the Chicago productions of Oklahoma and Showboat. Regionally, Nichol has been part of productions of Little Shop of HorrorsCabaret, and The Wiz.

She also has starred in productions at Disneyland in California.

Currently, Nichol is the education manager for The Broadway Collective. She earned her BFA in Musical Theatre from Ball State University.

Academy of the Arts

Academy of the Arts aims to provide high-level arts curriculum while engaging students in a rigorous academic education when its new state-of-the-arts facility plans to open in the fall of 2025. Learn more about Academy of the Arts as well as upcoming master classes, fundraising initiatives and other opportunities to support its mission at www.illinoisartsacademy.org.

In addition to space leased to Academy of the Arts, CityGate Centre also is the multi-use campus with AAA Four Diamond Hotel Arista, CityGate Grille, Che Figata, Zorba Cocktail Bar, LavAzza, Arista Spa and Salon, DuPage Medical Group, Olympia Executive Fitness Center and Tap in Pub.

New West Suburban Arts Academy to Launch With Master Classes This Winter

Academy of the Arts, a new, west-suburban, non-profit educational institution, is launching its programs just in time for the holiday season with a series of performing arts masterclasses led by accomplished performing artists. Classes will serve dancers age 12+ and vocalists age 10+, and be held Dec. 28 and Dec. 30, at the CityGate Centre campus, Rte. 59 & Ferry Rd., Naperville.

Broadway performer, arts educator and Joliet native Chadaé Nichol who made her Broadway debut in Mowtown the Musical will lead a 4:30 p.m. contemporary jazz master class and a 6:15 p.m. musical theatre dance master class, both Tuesday, Dec. 28, for ages 12 to adult.

At 6:30 p.m. Thursday, Dec. 30, recently retired North Central College Fine Arts Director Brian Lynch who played Les Miserables lead Jean Valjean will present “Les Miserables: Behind the Scenes” – a vocal workshop for ages 10 to adult. All three classes will be held at 2135 CityGate Ln., Naperville, next to Hotel Arista.

“We are so eager to launch our programming, and so fortunate to have Chadaé and Brian join us for this cornerstone event,” said Academy Co-Founder Dylan Ladd. “Holding these classes during winter break fills a gap for students, and even a lot of local performing arts schools suspend classes during this time, so it allows students to keep up their skills, fill their time and be exposed to accomplished artists.

“This kind or experience can be a great holiday gift for budding performers,” he added.

Regular Academy programming will begin in fall 2022, and the school is projected to fully open serving grade 6 to 12 students by the 2025-26 academic year with a curriculum that provides the core academic areas of math, reading, language arts, social studies and science, along with a range of visual arts and performing arts programs.

“We have a lot of work ahead before we have our state-of-the-art facility and our first class of full-time students,” Ladd said. “Much of that work is fund raising and we will be holding our first Gala event in February.”

The facility Ladd references is a planned world-class arts center: A 1,200-seat auditorium with a proscenium stage, fly loft and orchestra pit, an outdoor amphitheater, a modular black box theater and dance studios, and academic classrooms.

The non-profit Academy’s year-one fundraising goal is $2 million from which it anticipates building momentum toward the $80 million needed to break ground and build the new facility.

“These classes, the gala, and community support all are critical elements toward meeting our goal to fully open in fall 2025,” Ladd said. “It sounds lofty, but we’ve done the research and have the data: This is the right location with the level of community engagement needed to bring this asset to the families of Naperville and surrounding suburbs.”

All three December master classes will be held in a 5th floor studio spaced leased by the Academy at 2135 CityGate Ln., Naperville, next to Hotel Arista. Participation is $100 per class and a select number of need-based scholarships will be available. Enroll at www.illinoisartsacademy.org/enroll

Learn more about the Academy of the Arts, its December masterclasses and February gala, and other opportunities to support its mission at www.illinoisartsacademy.org.